D flat major scale with whole and half g flat major scale with whole and half

So if we start on C the root note is C and so the scale will be called the C Major scale. The note you start on is called the root note. This pattern can be applied to all twelve notes to create a major scale. The C Major Scale.Ĭ (Whole) D (Whole) E (Half) F (Whole) G (Whole) A (Whole) B (Half) C Continuing this pattern we’ll see whole steps again with the exception to the last keys from B to C which is a half step. If we continue from E to F, there is actually no black note in between so we get a half step. If you move from D to the next note called E you will have another black note in between and thus this is another whole step. If you start on C and move to the next white note D you’ll notice that there is one black note in between. Now if you start on C and play all the white notes until the C above you will hear the C Major scale. That is if you play all the white notes, you are playing a diatonic scale. There is one place on the keyboard where this scale naturally occurs. Diatonic ScaleĪ diatonic scale is made up of a pattern of 5 whole steps and 2 half steps. Most western pop music doesn’t really make use of all 12 notes in a song. A piano key that is adjacent to another is called a half step and if you skip one adjacent key you will get a whole step. The white notes are called the natural pitches and each has it’s own name starting from A and ending on G. All notes on a piano keyboard repeat themselves after 5 black notes or after 7 white notes. Some white notes have black notes in between while others don’t.

If you look at a piano you will see that its keys are organized in a specific pattern. But those notes can be arranged in endless combinations to come up with a unique song every time. In western music, we basically only have 12 notes. Mainly the Major scale.Ī melody is made of notes. But before we get to work on creating melodies we first have to talk about the system behind melodies.

In part 3 of this production basics series, we are getting into melodic territory. In the first two articles, we focussed on rhythm.

D flat major scale with whole and half g flat major scale with whole and half